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Image 2. Paolozzi, Real Gold 1972
Image 2. Paolozzi, Real Gold 1972
Image 3. Paolozzi, Klokvormig Masker, 1946-47
Image 10. Paolozzi, Avant-Garde, 1970
Image 4. Paolozzi, Fun Fair, 1947
Image 12. Paolozzi, Le Robot Robert Voulait Aller
Image 6. Paolozzi, Diana as an Engine I, 1963 66
Image 7. Paolozzi, Conjectures to Identity, 1963 6
Image 9. Paolozzi, Horizon of Expectations Screen
Image 1. Paolozzi, Wittgenstein in New York
Image 11. Paolozzi, Allegro Moderato, 1974-76
Image 5. Eduardo Paolozzi, Cocktail Dress for Horr
Image 13. Paolozzi, Portrait of Richard Rogers, 19
Image 8. The Whitworth Tapestry, 1967
Hammer Prints Trial Proofs c 1950-2
1971_DjerbaDress_VAM
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Uncovering Paolozzi's Forays into Fashion and Furnishings

Hammer Prints Trial Proofs, c. 1950
Nigel Henderson and Eduardo Paolozzi, Courtesy Estate of Nigel Henderson. Photography by Stephen White, Courtesy of the Whitechapel Gallery
    • Image 2. Paolozzi, Real Gold 1972
    • Image 3. Paolozzi, Klokvormig Masker, 1946-47
    • Image 10. Paolozzi, Avant-Garde, 1970
    • Image 4. Paolozzi, Fun Fair, 1947
    • Image 12. Paolozzi, Le Robot Robert Voulait Aller
    • Image 6. Paolozzi, Diana as an Engine I, 1963 66
    • Image 7. Paolozzi, Conjectures to Identity, 1963 6
    • Image 9. Paolozzi, Horizon of Expectations Screen
    • Image 1. Paolozzi, Wittgenstein in New York
    • Image 11. Paolozzi, Allegro Moderato, 1974-76
    • Image 5. Eduardo Paolozzi, Cocktail Dress for Horr
    • Image 13. Paolozzi, Portrait of Richard Rogers, 19
    • Image 8. The Whitworth Tapestry, 1967
    • Hammer Prints Trial Proofs c 1950-2
    • 1971_DjerbaDress_VAM