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A Study of a Girl's Head, by Hilaire-Germain-Edgar
A Study of a Girl's Head, by Hilaire-Germain-Edgar
Extended SMAS (Superficial Musculo-Aponeurotic Sys
Fall XIII by John Stezaker, 1993-93, image courtes
Frieze, No. 6, Two Panels, by John Coplans, 1994,
Jo Spence, A Picture of Health Property of Jo Spen
NUD 4, by Sarah Lucas, copyright the artist, court
Peter Paul Rubens, Ceres and Two Nymphs with a Cor
Portrait of Henrietta Moraes on a Blue Couch, 1965
The Wound, by Berlinde De Bruyckere, 2011, copyrig
Venus and Cupid by William Etty 1835 York Museums
Blood by Klaas Rommelaere
FeatureOne Textile Artist’s Extraordinary Ode to His Family History
Echo by Guen Fiore
In Their WordsGuen Fiore’s Proud Portraits of Girls Coming Into Their Own
Aids Memorial Quilt
FeatureThis Awe-Inspiring Aids Memorial Quilt Comes to the Turbine Hall
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Flesh

NUD 4
Sarah Lucas © the artist, courtesy Sadie Coles UQ, London. Presented by the Art Fund and the Esmée Fairburn Foundation, with the assistance of the Contemporary Art Society and The Friends of York Art Gallery, 2012
    • A Study of a Girl's Head, by Hilaire-Germain-Edgar
    • Extended SMAS (Superficial Musculo-Aponeurotic Sys
    • Fall XIII by John Stezaker, 1993-93, image courtes
    • Frieze, No. 6, Two Panels, by John Coplans, 1994,
    • Jo Spence, A Picture of Health Property of Jo Spen
    • NUD 4, by Sarah Lucas, copyright the artist, court
    • Peter Paul Rubens, Ceres and Two Nymphs with a Cor
    • Portrait of Henrietta Moraes on a Blue Couch, 1965
    • The Wound, by Berlinde De Bruyckere, 2011, copyrig
    • Venus and Cupid by William Etty 1835 York Museums