00
15
Forms in Green, Hackney, No. 2 by Tom Lovelace
Forms in Green, Hackney, No. 2 by Tom Lovelace
Platform at Pontresina, 2015 by Tom Lovelace
The Open Door Closed and Inverted by Tom Lovela
Monuments, No.02 by Tom Lovelace,
Forms in Green, Hackney, by Tom Lovelace
In Preparation No. 4 Chromogenic print by Tom Lovelace
In Preparation No.11 (Diptych 2) by Tom Lovelace
Stargazing by Tom Lovelace
Sweep, Installation by Tom Lovelace
Untitled Red, No.03 by Tom Lovelace,
Black Marble, London, No.1 by Tom Lovelace
Black Marble, London, No.2 by Tom Lovelace
Black Marble, London, No.3 by Tom Lovelace
Black Marble, London, No.4 by Tom Lovelace
Black Marble, London, No.5 by Tom Lovelace
Sunstruck by William Rayfet Hunter
Design & LivingSunstruck Is the Saltburn-Esque Novel Poised to Be Book of the Summer
Aids Memorial Quilt
FeatureThis Awe-Inspiring Aids Memorial Quilt Comes to the Turbine Hall
H HW0044 Bed
FeatureHarley Weir’s Uncompromising Portrait of Womanhood
00
/
15

Tom Lovelace

    • Forms in Green, Hackney, No. 2 by Tom Lovelace
    • Platform at Pontresina, 2015 by Tom Lovelace
    • The Open Door Closed and Inverted by Tom Lovela
    • Monuments, No.02 by Tom Lovelace,
    • Forms in Green, Hackney, by Tom Lovelace
    • In Preparation No. 4 Chromogenic print by Tom Lovelace
    • In Preparation No.11 (Diptych 2) by Tom Lovelace
    • Stargazing by Tom Lovelace
    • Sweep, Installation by Tom Lovelace
    • Untitled Red, No.03 by Tom Lovelace,
    • Black Marble, London, No.1 by Tom Lovelace
    • Black Marble, London, No.2 by Tom Lovelace
    • Black Marble, London, No.3 by Tom Lovelace
    • Black Marble, London, No.4 by Tom Lovelace
    • Black Marble, London, No.5 by Tom Lovelace