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Eye To Eye: Portraits Of Lesbians By JEB
Gloria and Charmaine. Baltimore, Maryland. 1979© JEB (Joan E. Biren) from 'Eye to Eye, Portraits of Lesbians', published by Anthology Editions

JEB’s Radical Portraits of Lesbian Life and Love in the 1970s

The American photographer’s intimate images – featuring lesbians of all ages, races and backgrounds – are a vital document of LGBTQ+ history

Lead ImageGloria and Charmaine. Baltimore, Maryland. 1979© JEB (Joan E. Biren) from 'Eye to Eye, Portraits of Lesbians', published by Anthology Editions

Joan E Biren (JEB) has always been a revolutionary. The 76-year-old photographer has spent over four decades on the frontlines for social justice, creating politically-charged films, images and books, and engaging in grassroots activism. However, it was her groundbreaking 1979 monograph, Eye To Eye: Portraits Of Lesbians, that really solidified her status as a radical.

The book, created over eight years, was the first of its kind in the US. At the time, lesbians were almost invisible to the public eye: media representations were either non-existent or viciously distorted, and discrimination was rife. A lesbian herself, JEB was desperate to reverse this, so she began travelling across the US – attending conferences, protests, rural towns and festivals – trying to build her own visual archive. Eye To Eye was the result: a collection of intimate black and white images, featuring lesbians of all ages, races and backgrounds.

This month, 42 years after its initial release, the book is being republished. Filled with all the same imagery, as well as writings from Audre Lorde and Adrienne Rich, Eye To Eye serves as a vital document of LGBTQ+ history. “When I first published the book, the homophobia, censorship and my limited resources meant that there was very little public access to my work,” says JEB over the phone from her home in Maryland, Washington. Thankfully, that has now changed. “I’m excited that we’ll be able to find new audiences, and people – all kinds of people, not just LGBTQ+ people – can see that lesbians have always existed and lived and loved.”

Dominique Sisley: You started working on Eye to Eye over 40 years ago. What can you remember about the beginning, when you first felt inspired to make it?

JEB: I made the book because we needed this book. I couldn’t find anything like it because of the long history of LGBTQ oppression and the exclusion of lesbians from media representation. Our lives have just been erased, so consistently. So I made my very first lesbian image in 1971, and it was of me kissing my lover. It was a selfie because I didn’t even know anyone who would photograph us, and I desperately wanted to see a picture of women kissing. Everyone needs that kind of validation, you know? You want to see yourself reflected. And then, eight years later, I’d made enough photographs for a book. Of course, at the time, none of the lesbian or gay publishers wanted to publish it because I wanted the photos printed on good paper, and they thought it would cost too much. So I had to self-publish it, and I did what we would now call a Kickstarter campaign: I raised the money from the people in my own community.

“I desperately wanted to see a picture of women kissing. Everyone needs that kind of validation, you know? You want to see yourself reflected” – JEB

DS: What was the reception like when it was published?

JEB: Oh, it was amazing. It was really amazing. I think the reason that there was such an incredible response is because there was such a hunger in the lesbian community for more of these kinds of images. The thing that’s most difficult for young people to understand is how completely impossible it was in the 1970s to find authentic and affirming images of lesbians. There were images of young, slim, blonde, “pretend” lesbians, there were the monster, man-eating lesbian stereotypes, and there was some pornography. My work was made as a counter to those representations, and it was wonderful to see the response that it got.

DS: What was your personal journey with your sexuality like at that time? 

JEB: At a very young age I think that I was attracted to women; when I look back in my family albums, I always have my arm draped around my girlfriends. I had big crushes in junior high school, but I didn’t act on them until I was undergraduate college. And then I did my graduate work at Oxford University, where I tried to be straight, and that was a horrible failed experiment. When I came back to the US, it was 1970 and the beginning of the feminist movement, and I would call that my rebirth as a lesbian. Unfortunately, I was eventually thrown out of my women’s consciousness-raising group because they thought lesbianism would be a distraction to the women’s movement, but I knew I couldn’t go back in the closet. It was very isolating, in the beginning, to be a lesbian and political because a lot of the lesbian culture was apolitical. It was based in bars.

“I’m endlessly grateful to all of these women for making this book possible; I’m forever grateful for their willingness to show that ... the power of being out had huge rewards that made it all worth it” – JEB

DS: You went on to travel all over the US for this book. What are some of the stories or the people that really stayed with you over the years?

JEB: At that time my friends weren’t that diverse, so I set out because I knew I wanted it to have all kinds of lesbians in this book. I had to find most of these women by word of mouth, mostly because there was no internet back then. Also, a lot of people don’t understand that there was an enormous fear about being photographed and identified as a lesbian at that time. You could lose custody of your children, you could be fired from your job, you could be banished from your family or your place of worship. You could be deported if you were here on a visa, or thrown out of your rental apartment. So I’m endlessly grateful to all of these women for making this book possible; I’m forever grateful for their willingness to show that, even though there were all these harmful consequences, the power of being out had huge rewards that made it all worth it. They had the ability to live an open life – free from the heavy burden of hiding, lying and self-denial – because they knew that what we hide also harms us from within. So these inspiring women are what I remember.

DS: How do you feel about the current political climate – it’s obviously a very different time for the LGBTQ+ community, but do you still feel politically engaged? Would you still call yourself an activist?

JEB: I feel very passionate about the LGBTQ+ movement now, because we need it more than ever. We need radical movements. The fight for social justice has been renewed all over the world, and we have to understand that it has to include all people: people of colour, trans and non-binary people, poor people, all kinds of people. And we also have to address issues like housing equity, immigration reform, and healthcare. I’ve felt for a long time that many of the demands of the LGBTQ+ movement have been moving in the wrong direction; we’ve been focused on corporate anti-discrimination, marriage equality, hate crime legislation, and military inclusion. But when we started, we wanted to stop all wars, we wanted a military ban, and we wanted to scrap the nuclear family and monogamy. We wanted to provide the same privileges and benefits to all people, no matter how they structured their relationships and families. And because we were illegal ourselves, we didn‘t want a carceral state that locked up more people – we were joined up with the abolitionists. But thankfully today, we have these wonderful, newly invigorated radical movements that understand that we need change at a very fundamental level, if we’re all going to survive. LGBTQ+ people are all kinds of people, and that is only one little reason why we need social and economic justice for everyone. So I’m a little passionate about it. I really think we’re going in the right direction, though.

Eye to Eye: Portraits of Lesbians by JEB is published by Anthology Editions, and released on March 21.