
Urs Fischer.

Ugo Rondinone.
Both works are very nice. The vulgar monstrosity (the act of supersizing) of Urs Fischer works because of the fingerprints (the poetry). The poetic of Ugo Rondinone (a cloud gallery, the act of down-sizing) doesn’t become sentimental because it has some of the vulgarity of Fischer. Perhaps the connection to the fluffy and disgustingly Disney-like nature of clouds. It’s like each work has a little of what the other has a lot of, and that’s what makes both work.
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