Oscillating between wanting to know how Brice Bischoff’s Bronson Caves photographs were made and not wanting to know, I ended up looking it up - see this interview; and now the magi…
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Sergey Chilikov has been photographing first in the Soviet Union and now in Russia for over thirty years. Find more samples of his work here and here, plus an interview with the arti…
Wishing everybody a very Happy New Year 2012!
It is Viviane Sassen’s images in Hotshoe Gallery’s latest exhibition Other I that emanate from the wall with such effervescence and sincerity one is almost blinded to the work of W…
This is an image from Paula Markert’s wonderful Die Verhältnisse, dealing with family life and relationships in ways that I’ve rarely seen. Unfortunately, there is no English tr…
“Between 2004 and 2009, I photographed vacated industrial facilities in Canada and the United States, mainly asbestos refineries, steel mills and chemical plants. Their back s…
I find Klea McKenna’s Slow Burn a bit uneven - I like some images way better than others - but I really like the play with the physicality of the object, in this case the negative.
Julie L. Sims’ Uncharted Territory: Anatomy of a Natural Disaster uses natural disasters as metaphors for depression or other psychological disorders.
Marten Boswijk’s Eventually portrays Bulgarian Black Sea resorts that aren’t quite making it (yet?).
Via LPV Magazine comes Martin Buday’s Stay Golden.
More collage art: Masha Rumyantseva’s work.
I love the series Stages, done by Shen Chao-Liang (via).
